opera:

Else

(opera in one act)
libretto by Cecilia Ligorio
after Fräulein Else by Arthur Schnitzler

orchestra:

Borealis

(for orchestra)

Grammatica dell’istante

(for orchestra)

Kyklos

(for orchestra)

Mano d’erba

(for orchestra)

Metrica dell’istante

(for orchestra)

Strapiombi di Uqbar

(for orchestra)

soloists and orchestra:

Concerto per mandolino e orchestra

 

Konzertstück

(for mandolin and strings)

Madre

(for piano and orchestra)

Nachtmusik

(for tenor, “in lontananza” oboe and orchestra)

…stringimi in echi

(for “concertante” violin and orchestra)

Two Souls

(for Noh voice and orchestra)

Two Souls

(version for Noh voice and small orchestra)

ensemble:

VIII – an elaboration of the Variation VIII from the Diabelli Variations by Ludwig van Beethoven

(for 8 instruments)

Architetture del canto e del silenzio

(for ensemble)

Improvvisi silenzi di conchiglia

(for ensemble)

Nebbiæ

(for ensemble)

Nei boschi di Florestano

(for ensemble)

Ossessioni di Pontormo

(for two instrumental groups and percussion)

soloists and ensemble:

Kammerklang

(for trumpet and string trio)

Labyrinth of voices

(for trombone and ensemble)

Livre d’arabesques

(for oboe and ensemble)

vocal music:

Jeder Mensch trägt ein Zimmer in sich

(for female voice)

L’incanto delle voci lontane

(for six voices)

Miniature per un bestiario anonimo

(for four voices)

vocal music with instruments:

An die Nacht

(for female voice and percussion)

Armida’s garden

(for soprano and ensemble)

Hofmannsthal-Mikro-Lieder

(for female voice, violin and violoncello)

Im Freien zu singen

(for six female voices and piano)

Kraus-Mikro-Lieder

(for female voice and ensemble)

Mikro-Lieder ohne Worte

(for female voice and guitar)

…per pupilla viva – Musica per un’astronomia dantesca

(for soprano, viola and piano)

Quaderno di sabbia

(for three children’s groups and ensemble)

Quasi un madrigale

(for female voice, flute and clarinet)

Voice of wind

(for female voice [utai] and bass flute)

Voici venir la nuit – D’après une chanson valdôtaine

(for soprano and piano)

chamber music:

Anamorfosi

(for violin, clarinet and piano)

Berceuses

(for mandolin, trombone and piano)

Breath on breath

(for string quartet)

D’après

(for flute, violoncello and harpsichord)

D’autres arabesques

(for oboe and piano)

Esercizi di nubi

(for string quartet)

Essere bosco

(for four percussionists)

Ghost

(for four percussionists)

Im Freien zu spielen

(for clarinet, violin, violoncello and piano)

Islands

(for violoncello and piano)

Luci per una lontananza

(for two violins)

Mar de Mar

(for alto flute and guitar)

Memorie di tempesta

(for violoncello and piano)

Solo gli sguardi

(for clarinet and piano)

Tableau vivant

(for flute, viola and harp)

Tempo imperfetto delle maree

(for woodwind quintet)

Wiegenlied

(for viola and toy piano)

solo instruments:

Altopiani/Altri spazi

(for tenor recorder)

asprigno…

(for oboe)

Cinque cori notturni sotto la costa

(for alto flute)

Cinque notturni da braccio

(for viola d’amore)

Consolation

(for viola)

Di rami e radici

(for piano)

Dialogo di Finisterræ

(for violoncello)

…durch Nacht und Wind

(for piano)

Echi d’archi

(for violoncello)

Estroso/Innerlich

(for violin)

Invenzioni del margine

(for piano)

luz-luna (Fragmente)

(for piano)

Passacaglia detta d’oltreterre

(for viola)

Sonata d’altura

(for piano)

Tre studi sulla notte – Tre studi per riscoprire l’alba

(for piano)

instruments and electronics:

…come un’apparenza

(for trombone and electronics)

Etude de l’autre

(for flute and electronics)

electronic music:

Der letzte Mann

(electronic music for the homonymous film by Friedrich Wilhelm Murnau)

other projects:

Sarà il tuo nome

(for choir and orchestra)
[completion of Il Quattro Giugno Cantata
by Arrigo Boito and Franco Faccio]

This page contains the complete catalogue of works by Federico Gardella, published, starting in 2008,
by Sz Sugar – Sugarmusic S.p.A.